Heinz Holliger composed the three-movement work in January 2016 as funeral music for the legendary flutist Aurèle Nicolet who had died shortly beforeMore
Heinz Holliger composed the three-movement work in January 2016 as fun...
Responding to the desire of many string players for something "lively and modern" that would be "not too difficult yet effective," Hansdieter Meier de...More
Responding to the desire of many string players for something "lively ...
Easy pieces for three violins in a colorful mix of styles from Renaissance to Romantic, from folk songs and blues to jazz and Latin. Starting with the...More
Easy pieces for three violins in a colorful mix of styles from Renaiss...
The name Mahler is so closely associated with the symphony and Lied genres that it is little known how intensively he applied himself to chamber music...More
The name Mahler is so closely associated with the symphony and Lied ge...
This first edition presents our latest selection of pieces from the composition 'Le Portrait de Daisy Hamilton', Koechlin's homage to the famous film ...More
This first edition presents our latest selection of pieces from the co...
Dimitri Shostakovich composed the Trio No. 1 for violin, violoncello and piano in C minor op. 8 in autumn 1923, while he was still studying at the Pet...More
Dimitri Shostakovich composed the Trio No. 1 for violin, violoncello a...
Fourteen Little Pictures for piano trio is a set of 14 separate miniatures, stitched together and interwoven to form a single through-composed work, l...More
Fourteen Little Pictures for piano trio is a set of 14 separate miniat...
The Clarinet Trio in A minor, Op. 114, is one of four chamber works composed by Johannes Brahms featuring the clarinet as a primary instrument. It was...More
The Clarinet Trio in A minor, Op. 114, is one of four chamber works co...
Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802/03. The op. 11 was given the nickname “Gassenhauer Trio” because its third mo...More
Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802/0...
Antonín Dvořák's String Quintet No. 2 in G major, Op. 77 (B. 49), was originally composed in early March 1875 and first performed on 18 March 1876 ...More
Antonín Dvořák's String Quintet No. 2 in G major, Op. 77 (B. 49), w...
For string orchestra and piano. Score and piano accompaniment, and CD.
Instrumentation: Violins I-III, Cellos I+II, Violas I+II, Double Bass ad libi...More
For string orchestra and piano. Score and piano accompaniment, and CD....
The poem "Gruselett" is taken from Christian Morgenstern's "Gallows Songs" (1905). The English translation used here was prepared by the composer hims...More
The poem "Gruselett" is taken from Christian Morgenstern's "Gallows So...
The Sextet in B-flat major was already judged to be one of the most beautiful works by this young composer after its initial performances in early 186...More
The Sextet in B-flat major was already judged to be one of the most be...
The Belgian composer, conductor and violinist Eugène Ysaÿe (1858-1931) studied with H. Wieniawsky in Brussels and took numerous trips as a soloist, ...More
The Belgian composer, conductor and violinist Eugène Ysaÿe (1858-193...
"De Streken van Rembrandt" is a music book by Jos Koning/Twee Violen en een Bas, featuring music from 1600–1700. It is not an artwork about a king, ...More
"De Streken van Rembrandt" is a music book by Jos Koning/Twee Violen e...
Only few works in music history can adorn themselves with the attribute 'epoch-making'. Arcangelo Corelli's trio sonatas are among them. With his Sona...More
Only few works in music history can adorn themselves with the attribut...
A wedding without a famous wedding march - unimaginable! Wagner's 'Bridal Chorus' from 'Lohengrin' and Mendelssohn's 'Wedding March' from the incident...More
A wedding without a famous wedding march - unimaginable! Wagner's 'Bri...
An approach based on self-learning and recognition of rhythmic and melodic patterns- Original tunes not abstract sight-reading exercises- 150 carefull...More
An approach based on self-learning and recognition of rhythmic and mel...