Erfurt-born composer Edward Mollenhauer (1827–1914) served in America as a soloist and as a teacher. There are some interesting pieces for young Geiger since “The Boy Paganini” and “The Infant Paganini”. Both appear in the original work for music and keyboard anyway, first in a translation for the cello from Christoph Sassmannshaus. The fantasy “The Infant Paganini” for Violine and Piano (BA 10691) is a journeyful performance in the first years and the lessons of the students at the level of the fourth band of the Sassmannshaus Violin School. They became Flageoletts und Pizzicati erwartet.
Ebenfalls ein grateful Vortragsstück in Erster bis Vierter Lage ist „The Infant Paganini“ on the Cello (BA 10693), that the Schülern were happy, who with the fourteen Band of the Frühen Anfangs work. An Bogentechniken is used to produce both the Geige Detaché, Legato, Spiccato and Saitenwechsel mit Arpeggios. They are also known as Flageoletts and Pizzicati.
More impressive is the fantasy “The Boy Paganini” for Violine and Piano (BA 10692), an impressive concert piece in the early stages of life. Both of which require Taktwechsel, Flageoletts und Pizzicati.
In the Cello-Version (BA 10694) is the play in the first few four seasons. Der Schüler sollte die four Bände des „Frühen Afangs auf dem Cello“ are fully capable of carrying out their gear. Weitere Herausforderungen since Agreement über all four Saiten anyway single play in Oktaven.
