In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fa...More
In 1849 Schumann turned to a new genre: works for piano and accompanyi...
The trio opens with one of Schumann's finest sonata movements. Sweeping, bold and dark, a long, articulated melody with arpeggiated flourishes establi...More
The trio opens with one of Schumann's finest sonata movements. Sweepin...
Märchenbilder or Fairy Tale Pictures, for Piano and Viola, Op. 113, was written by Robert Schumann in March 1851. The work is dedicated to the German...More
Märchenbilder or Fairy Tale Pictures, for Piano and Viola, Op. 113, w...
The Fantasy in C major, composed between 1836 and 1838, is arguably the most monumental work from Schumann's early creative period, which, as is well ...More
The Fantasy in C major, composed between 1836 and 1838, is arguably th...
The Fantasy Pieces op. 88 are Schumann’s first contribution to the genre of the piano trio and date from his very prolific “chamber music year” ...More
The Fantasy Pieces op. 88 are Schumann’s first contribution to the g...
Robert Schumann (Zwickau, June 8, 1810 – Endenich (near Bonn), July 29, 1856) was a German composer, pianist, conductor, and music critic during the...More
Robert Schumann (Zwickau, June 8, 1810 – Endenich (near Bonn), July ...
No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, ...More
No romantic poetry and no concrete fairytale figure occasioned Schuman...